My photo of Bernie Sanders
Fourth of July, Burlington, VT, 2012.
Santa Monica Mountains Visitor Center exhibition test frames
I got a couple of the pieces framed to check out how they look. This is a nice size. It’s going to be an unlimited, signed edition of 6 x 9-inches images in frames and in mats with plastic bags around them. The Roger Tory Peterson Institute collection hits the road.
And now for the blue umbrella trees
How much is a photograph worth?
I was speaking with the assistant manager of my local eatery this morning and she told me some very important things about photography and displaying photographs as I was asking her input about pricing these unlimited, signed 6 x 9-inch prints for the Santa Monica Mountains Visitor Center exhibition next July, and the idea is to make them affordable for folks, and I said, well, why are people willing to pay thousands for a mediocre oil painting or acrylic at a fashionable gallery, but don’t want to spend a few hundred for a great photograph, and she said, well, people take their own photos and they think it’s easy, and they don’t realize all the work that goes into bringing a photograph to market, such as editing the raw footage and getting rid of the blurred shots or the ones that just miss, all of that it very labor intensive; all of the hours that go into taking the photos, standing there, waiting for just the right moment; the photoshopping and post-production work that goes into it; then there’s the printing of the photos and the framing, not to mention signing and numbering them. So you see it’s not just that someone pressed a button on the camera and you can print this out any number of times, but what kind of effort went into all of it to get it to that point, and I would argue that maybe photography is at least as difficult than painting in that you have thousands, hundreds of thousands of photos, you have to cull that down to the best ones, etc., and maybe a painter can produce a certain type of image in a smaller amount of time than we think, but since we can’t do it, we think it would take days and days to paint a landscape. Someone once asked a writer how long it took to do a book or whatever, and he was, say 50 years old, and so he said, 50 years. It might have been Hemingway.
Test prints and frames at The Icon
Preparing for a show is always interesting. Here, at the printer The Icon in Los Angeles, along with Luis Diaz, who took these photos, we sized and test framed a couple of the hummingbird images for the Santa Monica Mountains Visitor Center next July. Yes, well in advance, but it pays to do things when you can. You never know when you might need the images, so I like to get it all together as soon as I can after getting the go-ahead for a show. Thanks to the Roger Tory Peterson Institute for giving my this show of 30 images earlier this year. These images are smaller than the RTPI show, as they are designed for point-of-purchase sales to visitors to the Santa Monica Mountains National Recreation Area. Great to be involved in nature and conservation, what I’ve always strived to do in my life. 
Umbrella trees multicolored
The umbrella trees appeared again but the city took these ones down too.
